Devotion

             Jill Joy - Devotion - oil on canvas - 60x48" - 2014

This painting, Devotion, is about spiritual devotion and also plain old human love…loving someone intensely and how our devotion to that person can transform us regardless of the circumstances. It’s part of my current series, Consciousness, but also a subset of work I call Evolution – 4 or 5 paintings that represent the leap from one level of consciousness to the next. The Evolution works are dynamic and give a sense of bursting into growth and new awareness. They are loosely tied to the chakras (energy centers in our body), indigo is the color of the 6th chakra and violet is the color of the crown or 7th chakra. This painting is somewhere in between those two…a deep violet or purple indigo representing the transition from one level of consciousness to the next. Some info below on the symbolism of the colors and the Chakras (citation).

Indigo – 6th Chakra (third eye)

Indigo opens the door to the Divine and it is the color that we associate with night. It is at night, when our senses become finer and a different part of us awakens. Indigo brings clarity to the sense organs - your seeing, hearing and feeling. Indigo It is also connected to your sixth sense - your third eye.

Indigo is a bridge between heaven and earth, between the left and right hemispheres and also between life and death and helps to make a transition towards life or towards death. Indigo color energy is an energy of deep change. It allows you to transform the energies of lower chakras into higher spiritual vibrations. You must be cautious though, because you can become ungrounded and disconnected with the life on earth and with your family and friends. As you unfold the petals of your third eye chakra, you begin to recognize patterns. You can see where you have been, where you are stuck, and where you are going.

You begin to experience those "Aha" moments. Moments of insight and clarity. You are recognizing your patterns and are able to relate everything to a larger picture and what it means. Illusions are shattered and dreams are integrated. You begin to experience wholeness and sense of tranquility and inner knowing - wisdom. You begin to see that you can consciously create your life. And that your vision for the future is a creative act of will.

Violet – 7th Chakra (crown (top) of the head)

Violet connects with sadness of letting go and also with joy of transformation. There is peace and tranquility in the new found knowledge of profound change. Violet color is cleansing and purifying. It is the color of magic, ritual, cleansing, purifying, connecting, mystery, and mysticism. It is a color that allows us to glimpse other realities, beyond our physical and material reality of this earthly existence. It is pure cosmic energy.

Violet is a color of reconciliation. Of bringing together polarities - male and female, day and night, hot and cold, heaven and earth, right brain and left brain. In this state of balance, you feel the connection with other beings, with heaven, with earth, with all of Universe. There is no separation, no duality.

http://www.chakra-anatomy.com

http://www.jilljoy.com

http://www.artandhealing.org/

http://www.artashealing.org

Letter to Gallery X

Here's a little window into my worldview...daily operation of working towards greater representation....

Dear Curators,

Enclosed please find a CD containing images of recent paintings from my Consciousness Series. I am seeking representation at your gallery and appreciate your taking the time to view my work.

Jill Joy, Wave, oil on canvas, 57x69x2.5”, 2014

This series of paintings, Consciousness, represents the culmination of 20+ years of spiritual and artistic exploration. Deceptively simple and subtly complex, like consciousness itself, they represent awareness of thought, emotion and human experience in a greater field of love. This work ties individual, inner experience to the external, physical world and as such communicate a mystical reality. Executed in a meditative trance, they become meditative objects, contemporary mandalas. In addition to the paintings there are a series of poems that accompany the work. If you are interested please let me know and I will provide them. I have included one example in this package.

A wave.
has crashed through my life
Separated me
from what has tormented me
and sustained me

I sit here in the silence
in the receding tide
Wondering.
what will become of me

© Jill Joy 2014

I’m happy to answer any questions or provide you with any additional images or information. I would be extremely pleased and honored to be represented by your gallery. I look forward to hearing from you.

Sincerely,

Jill Joy

Jill's Artist Statement

 

My art is an expression of the unseen worlds of spiritual and emotional energy and their interplay as the individual soul evolves towards a higher state of consciousness.

Jill Joy - Aftermath - oil on canvas - 48x60" available through Wall Street Fine Art Gallery, Ponte Vedra, Florida http://wallstreetfineart.gallery/

As a very young child, I was keenly aware of the paradox of death. By my early twenties, enlightenment was a stated goal of mine. All of my work is a record of the evolution of consciousness. The laboratory available to me in this study is that of my own mind, body and emotions.

My personal growth and spiritual evolution inspire my work as does my proximity to the ocean and especially the horizon.

Lately I’ve been finding more and more connection between the inner and outer world as I dissolve the boundaries of my ego. I am at heart a mystic; my work is spiritual and emotional experience made material.

Each body of work on this website is an investigation into this transformation:from my earliest work, The Soul of Memory, through my most recent, Illumination. A series specific statement is included on the webpage for each series and gives more detail about the specific exploration undertaken by each group of paintings.

Not Just A Pretty Face #art #contemporaryart

In addition to being an artist, I am a budding art collector. My fourth purchase of original art just arrived by UPS. I was so excited when I saw the package was from the Lois Lambert Gallery in Los Angeles. Some of you may know I've switched to being a full-time artist from corporate marketeer, so I could ill afford, really, to buy a piece of art. But I was cold calling galleries in November and I saw this photograph, it immediately spoke to me and I had to have it.

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Tamar Levine - What A Life #5 - Digital Photograph - 1/15 - 2014

The fall had been a tough time to say the least. My on again off again relationship was off again at the end of the summer, this time permanently I believe. There were other things going on in my life that were difficult, hard choices to move my creative life forward at the expense of material security among other things. Those close to me were experiencing hardship and uncertainty. All of which had me feeling adrift.

When I opened the box I was moved to tears. Because emotionally this photograph is right where I am at. I thought to myself, this is the pure purpose of art, to make us feel. Because when we allow ourselves to feel, we become whole. We heal. It also helped me accept life. This is life after all. We sometimes feel adrift. We are constantly challenged. It never ends. We reach one pinnacle, only to find another calls our name. This photograph and the photographer also made me feel as though I was not alone. It pointed me to our shared humanity. Which is such a gift these days in an isolated world of sole proprietorship, telecommuting and social networking rather than face time.

One of the good things that happened this fall was finding an art gallerist in Florida who really seems to understand my work and what it is about, the drive for conscious evolution and spiritual healing toward enlightenment. The first step to transcending where we are is to acknowledge where we are and to feel.

"I want to encourage people to experience feelings and memories that they have lost touch within the course of their lives. If for one moment in an individual’s day they can step away from the confines of the structure of their life and indulge their eyes and minds in a work of art, perhaps they can reconnect with a part of themselves or of the world that might otherwise be forgotten." - Jessica Salameh, Wall Street Fine Art, Ponte Vedra Beach, FL.

That's what Tamar Levine's photograph does for me. Like the model, it brings me right beneath the surface of the ocean of my mind and plunges me into feeling. So yes, when buying art we sometimes want it to make us feel good and we sometimes want it to match the wall color or the couch and harmonize our surroundings. But that is not the most powerful purpose and application of art. Helping us drop into the ocean of our subconscious experience is. Thank you Tamar Levine for allowing me to know myself.

http://www.jilljoy.com/

http://www.loislambertgallery.com/

http://www.tamarlevine.com/

http://wallstreetfa.com/

Elevator Speech on Enlightenment #art #painting

I was at a party over the holidays and found myself queried about my art. It's often very difficult for an abstract artist to describe his or her art because the concepts are often abstract ideas that the artist is attempting to represent visually. When I got home I decided I needed to summarize exactly what it is my work is about. Not just for my fellow humans, but for also me. So here’s what I came up with that seemed to encompass 20+ years of painting and the evolution across a multitude of styles:

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Jill Joy – Purple Sky – oil on canvas – 36×36

“My work is essentially about enlightenment: Transcending individual thoughts, emotions and experiences towards identification with something beyond the self that is universal and all encompassing. My art seeks to understand our place in the universe, the transience of life and the existence of a broader vibrational field of love that encompasses us all.”

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Jill Joy - Thought Forms compassion - oil on canvas - 20x60 - 2014

The Artist Purges Her Wound #art

I just got back from 10 days in Europe where I was immersed in the work of French American Artist, Niki de Saint Phalle. A friend of mine works for her foundation and among other places we went to the opening of a museum retrospective of Niki's work at the Grand Palais in Paris and then her Tarot Sculpture Garden in Tuscany. 

Niki de Saint Phalle

I can honestly say I am inspired by Nikki. Somewhat by the late work that made her famous (below), but more so by her early work,  the process of her life, the progression of her art and the sacrifices she made. Her work crosses the trajectory from the purging of the darkness of early wounds to the reaching for something universal and joyful in her well known “Nana” sculptures.

Niki de Saint Phalle - Les Trois Muses

The photo (below) of one of Nikki's early "Brides" is hard to appreciate if you don’t see it in person. It’s a collage of plastic spiders, babies and other disturbing things. A dark commentary on the limitations imposed on women when forced to take up the role of wife and mother by conditioning rather than choice.

Niki de Saint Phalle - La Femme Mariee

Niki was molested by her father as a child and much of her early work is purging the anger and sadness and sense of betrayal this caused her as well as divesting herself of society’s expectations of her as a woman to be a wife and mother. Some of her earliest work, the Shooting Paintings, express outrage against injustice of all sorts especially against the innocent.

Niki de Saint Phalle - Fusil

Niki de Saint Phalle-1961 - Portrait-of-my-lover-rechts-videostill-daddy-b

Why am I so taken with this woman’s story? It is the parallels that validate my own path as an artist that make is so powerful for me. I too have seen my work move from the dark, violent and personal to something purer, simpler and more universal or illuminated.

Jill Joy - Love & Betrayal - mixed media on canvas - 72x48 - 2006

 I too have struck on simpler, purified work that seems to have more commercial viability.

Jill Joy - Gathering Storm - oil on canvas - 48x72x2.5" - 2014

I too knew and released the confines of traditional marriage and family. I too have had an on again, off again lover and muse who I simply can not shake despite the best efforts and advice of my friends. I too have sacrificed my health and wealth to create art.

But perhaps more than all of that was my appreciation for her early work and how it caused me to appreciate mine. What I saw in the retrospective at Le Grand Palais was not only the accomplishment and appeal of the later work, but how much the humanity and the personal struggle of Niki’s early work spoke to me. It was like watching the progression from the human to the divine condition. It was the human condition that spoke to me, stayed with me, haunted me. And it seemed much of that early work is still in the possession of her foundation. Niki, perhaps more than I up to this point, understood its value and spent the money and effort to warehouse it, never discarding or destroying it.

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy

Meanwhile I have been balking at storing my early work because it’s too confusing to market to art industry people as I try to make a name and a living for myself. It has felt like a weight on me, a burden, not just because of the physical space it takes up but because it represents old, now dead, released painful emotional experience. Stacks and stacks of canvases that chronicle my personal pain and grief as I released my marriage, my emotionally abusive relationships with my parents and of course my on again off again relationship which triggers all of that old stuff every time it ends.

Learning about Niki and her work made me appreciate myself. She validated my struggles as an artist and confirmed the courage it takes to give everything else up. She caused me to appreciate the journey from personal pain to universal illumination. Even at the end the beginning is present. We hold its hand as we walk into the light.

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy

Intertwined

So it's been awhile since I've posted. I had the grand opening for my studio in June and another open studio in August after that featuring new work from the Consciousness Series. I've also been busy painting. Below is a new work, Intertwined, hot off the brush, that has not yet been publically displayed.

Jill Joy - Intertwined - oil on canvas - 20x40" - 2014

It is an exploration of a relationship in transition. Two souls moving in time and space. It made me realize that my human drama is really quite small against the backdrop of universal consciousness. Almost like a disturbance, but not quite. There is something honorable and just about the human struggle for peace and happiness.

Emotion, consciousness and illumination

The best works of art express the complexity of being human with an eye to transcendence. For me, making art is a spiritual practice and I approach the canvas with an eye to evolving my soul. I currently work in three distinct styles which represent the triad of the human condition: Mind, Body, Spirit. In developing these series, I’ve discovered the important interplay between emotions, consciousness awareness and enlightenment.

Jill Joy - Death Comes and Recedes - oil on canvas - 48x72"

The Emotion Series addresses emotions as energy. Energy which must be felt and allowed to move through us in order for us to learn from them and eventually transcend them. These paintings are intense, active and filled with a sense of energy in motion. They relate to the human struggle: dealing with loss, pain, joy, change and aspiration.

The Consciousness Series speaks to the awareness of oneself as an individual developing and evolving within a field of universal consciousness or Love. In this work, this universal field and our presence within it are represented by a surreal landscape - the sky or ocean - or both. The peaceful spacious portions of the canvas evoking the dome of unbroken universal awareness.

Jill Joy - Solace - oil on canvas, 48x60"

The Illumination Series represents the process of enlightenment; the awareness and experience of an eternal field of light that exists beyond the temporal human experience and the awareness of of ourselves as separate. I have experienced it as a type of grace as light enters my mind almost unbidden after years of confronting my fears and the hard work clearing myself of negative thoughts and old conditioning.

Jill Joy - Emanation - oil on canvas - 48x60

There is an ongoing interplay in my life between these three states: experiencing and clearing emotional energy to achieve a more profound and peaceful state of consciousness and ultimately a sense of the presence of light in my mind and the elimination of the boundary between the inner and outer world. Some of my collectors have referred to these paintings as maps for spiritual development. In living with them, the process of evolving as a human being, as a soul, is communicated and enhanced.

I work in oil on canvas for two reasons. For the Emotion paintings, the materiality of oil, the thickness, the texture one can achieve helps me communicate the passion and drama of the emotional process. In Consciousness and Illumination, I’ve found, through using certain mediums, I can produce a luminous quality that uplifts the soul when viewing the work. Oil allows me to create delicate surfaces that change with the light reflecting the subtle nature of being in balance with something greater than myself.