The Power of #Emotion

I’ve been thinking today about the power of emotion and how important emotional connection is both with ourselves and each other. If we cut ourselves off  from our emotions we are dead. Dead to feeling what we feel, dead to sensing the feelings of others. Empathy dies and the world becomes a more violent place. 

 This line of thought led me back to one of the essential functions of artists: reconnecting the world to emotion. We are the conduits for getting people back to themselves, to experiencing their feelings which allows them to treat themselves with sensitivity and thus treat others with sensitivity. This makes the world a better, richer, more compassionate, more beautiful place.

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When we sensitize ourselves in this world we risk being overwhelmed. How can you buy clothes that were manufactured by small children in Bangladesh on starvation wages? If you think about it when you buy, it it’s incredibly difficult. Trying to source an entire life in a non-violent manner is nearly impossible.

I’ve been trying unsuccessfully to be a vegetarian. Because my body does not do well on a largely carb-based diet, it doesn't work for me. So giving up, this morning at a neighborhood restaurant I ordered something I would normally - an omelet. On my plate in addition to eggs were ham, cheese and a side of potatoes. As I sat there looking at the plate I thought about the poor pigs who are as intelligent as my dog and what kind of life they might’ve had and then I thought about the migrant workers who might have dug the potatoes out of the ground and I wondered about the kind of life they had. I could go on thinking about the cows tied to milking machines all day. Then I found myself almost in tears over breakfast. I realized, in a truly compassionate, higher vibration world, my breakfast would not be a plate of violence. 

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Ruth Bader Ginsburg reminds us that even though we are in a backslide politically, things are better than they used to be when it was legislated that women could be paid less than men and African-Americans could be legally discriminated against. These things still happen, but at least the laws have changed. So even though we still don’t live in an emotional, compassionate world, there is progress.

That’s where we as artists come in. To speed the progress. To allow people to connect with their emotions so that they become empathetic and treat animals, children and the more vulnerable populations with dignity and care. Because when we treat ourselves with dignity and care we are able to extend that out to others. So while I can’t be a full-on vegetarian or vegan at this point, I have stopped eating cows which makes me feel slightly better.

Jill Joy w Thwarted Desire  - oil on canvas - 48x48 - Emotion Exhibition Oct 2016 Color Cropped.jpg

So in a time where we have a more brutal administration than I ever imagined in my lifetime and compassion and human dignity are short on the ground, our role as artists is more important than ever. 

Personally, I am beginning to understand the power and necessity of having emotional connections in all of my relationships: business, friends, family, lovers, neighbors, even strangers. There is the opportunity to make a connection. Without it the relationships are dry, hollow, self-interested and ultimately destructive.

 

Morningstar619

I was going through some of my poetry today and found the following that I wrote some time ago.

Morningstar619

Life has broken his heart

It has blown it all apart

Between the pieces that remain

He’s looking for something to keep him sane

 

In the space between the pain

He’ll find the Love that does not change

© Jill Joy August 2012

The Power of Emotions to Transform - Exhibition Postponed due to Illness...Stay tuned while we reschedule

Emotions are a dicey proposition. We need to experience and understand them in order to grow and heal. At the same time if we allow them to overwhelm us, we can get into trouble.  Repression, on the other hand, is just as bad leading to stagnation.

Jill Joy - Dissolution - oil on canvas - 60x72"

In this work, which I create on an as needed basis to cope with strong feelings, I have allowed myself a constructive way to feel and process my emotions: Giving them life and expression, but not allowing them to overwhelm me or anyone else. And in the process a dynamic piece of art is created that, having transformed me, has I believe, the power to transform the viewer.

Jill Joy - Divertere - oil on canvas - 36x36"

 

Not Just A Pretty Face #art #contemporaryart

In addition to being an artist, I am a budding art collector. My fourth purchase of original art just arrived by UPS. I was so excited when I saw the package was from the Lois Lambert Gallery in Los Angeles. Some of you may know I've switched to being a full-time artist from corporate marketeer, so I could ill afford, really, to buy a piece of art. But I was cold calling galleries in November and I saw this photograph, it immediately spoke to me and I had to have it.

Tamar Levine - What A Life #5 - Digital Photograph - 1/15 - 2014

The fall had been a tough time to say the least. My on again off again relationship was off again at the end of the summer, this time permanently I believe. There were other things going on in my life that were difficult, hard choices to move my creative life forward at the expense of material security among other things. Those close to me were experiencing hardship and uncertainty. All of which had me feeling adrift.

When I opened the box I was moved to tears. Because emotionally this photograph is right where I am at. I thought to myself, this is the pure purpose of art, to make us feel. Because when we allow ourselves to feel, we become whole. We heal. It also helped me accept life. This is life after all. We sometimes feel adrift. We are constantly challenged. It never ends. We reach one pinnacle, only to find another calls our name. This photograph and the photographer also made me feel as though I was not alone. It pointed me to our shared humanity. Which is such a gift these days in an isolated world of sole proprietorship, telecommuting and social networking rather than face time.

One of the good things that happened this fall was finding an art gallerist in Florida who really seems to understand my work and what it is about, the drive for conscious evolution and spiritual healing toward enlightenment. The first step to transcending where we are is to acknowledge where we are and to feel.

"I want to encourage people to experience feelings and memories that they have lost touch within the course of their lives. If for one moment in an individual’s day they can step away from the confines of the structure of their life and indulge their eyes and minds in a work of art, perhaps they can reconnect with a part of themselves or of the world that might otherwise be forgotten." - Jessica Salameh, Wall Street Fine Art, Ponte Vedra Beach, FL.

That's what Tamar Levine's photograph does for me. Like the model, it brings me right beneath the surface of the ocean of my mind and plunges me into feeling. So yes, when buying art we sometimes want it to make us feel good and we sometimes want it to match the wall color or the couch and harmonize our surroundings. But that is not the most powerful purpose and application of art. Helping us drop into the ocean of our subconscious experience is. Thank you Tamar Levine for allowing me to know myself.

http://www.jilljoy.com/

http://www.loislambertgallery.com/

http://www.tamarlevine.com/

http://wallstreetfa.com/

Elevator Speech on Enlightenment #art #painting

I was at a party over the holidays and found myself queried about my art. It's often very difficult for an abstract artist to describe his or her art because the concepts are often abstract ideas that the artist is attempting to represent visually. When I got home I decided I needed to summarize exactly what it is my work is about. Not just for my fellow humans, but for also me. So here’s what I came up with that seemed to encompass 20+ years of painting and the evolution across a multitude of styles:

Jill Joy – Purple Sky – oil on canvas – 36×36

“My work is essentially about enlightenment: Transcending individual thoughts, emotions and experiences towards identification with something beyond the self that is universal and all encompassing. My art seeks to understand our place in the universe, the transience of life and the existence of a broader vibrational field of love that encompasses us all.”

Jill Joy - Thought Forms compassion - oil on canvas - 20x60 - 2014

The Artist Purges Her Wound #art

I just got back from 10 days in Europe where I was immersed in the work of French American Artist, Niki de Saint Phalle. A friend of mine works for her foundation and among other places we went to the opening of a museum retrospective of Niki's work at the Grand Palais in Paris and then her Tarot Sculpture Garden in Tuscany. 

Niki de Saint Phalle

Niki de Saint Phalle

I can honestly say I am inspired by Nikki. Somewhat by the late work that made her famous (below), but more so by her early work,  the process of her life, the progression of her art and the sacrifices she made. Her work crosses the trajectory from the purging of the darkness of early wounds to the reaching for something universal and joyful in her well known “Nana” sculptures.

Niki de Saint Phalle - Les Trois Muses

Niki de Saint Phalle - Les Trois Muses

The photo (below) of one of Nikki's early "Brides" is hard to appreciate if you don’t see it in person. It’s a collage of plastic spiders, babies and other disturbing things. A dark commentary on the limitations imposed on women when forced to take up the role of wife and mother by conditioning rather than choice.

Niki de Saint Phalle - La Femme Mariee

Niki de Saint Phalle - La Femme Mariee

Niki was molested by her father as a child and much of her early work is purging the anger and sadness and sense of betrayal this caused her as well as divesting herself of society’s expectations of her as a woman to be a wife and mother. Some of her earliest work, the Shooting Paintings, express outrage against injustice of all sorts especially against the innocent.

Niki de Saint Phalle - Fusil

Niki de Saint Phalle - Fusil

Niki de Saint Phalle-1961 - Portrait-of-my-lover-rechts-videostill-daddy-b

Niki de Saint Phalle-1961 - Portrait-of-my-lover-rechts-videostill-daddy-b

Why am I so taken with this woman’s story? It is the parallels that validate my own path as an artist that make is so powerful for me. I too have seen my work move from the dark, violent and personal to something purer, simpler and more universal or illuminated.

Jill Joy - Love & Betrayal - mixed media on canvas - 72x48 - 2006

Jill Joy - Love & Betrayal - mixed media on canvas - 72x48 - 2006

 I too have struck on simpler, purified work that seems to have more commercial viability.

Jill Joy - Gathering Storm - oil on canvas - 48x72x2.5" - 2014

Jill Joy - Gathering Storm - oil on canvas - 48x72x2.5" - 2014

I too knew and released the confines of traditional marriage and family. I too have had an on again, off again lover and muse who I simply can not shake despite the best efforts and advice of my friends. I too have sacrificed my health and wealth to create art.

But perhaps more than all of that was my appreciation for her early work and how it caused me to appreciate mine. What I saw in the retrospective at Le Grand Palais was not only the accomplishment and appeal of the later work, but how much the humanity and the personal struggle of Niki’s early work spoke to me. It was like watching the progression from the human to the divine condition. It was the human condition that spoke to me, stayed with me, haunted me. And it seemed much of that early work is still in the possession of her foundation. Niki, perhaps more than I up to this point, understood its value and spent the money and effort to warehouse it, never discarding or destroying it.

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy

Meanwhile I have been balking at storing my early work because it’s too confusing to market to art industry people as I try to make a name and a living for myself. It has felt like a weight on me, a burden, not just because of the physical space it takes up but because it represents old, now dead, released painful emotional experience. Stacks and stacks of canvases that chronicle my personal pain and grief as I released my marriage, my emotionally abusive relationships with my parents and of course my on again off again relationship which triggers all of that old stuff every time it ends.

Learning about Niki and her work made me appreciate myself. She validated my struggles as an artist and confirmed the courage it takes to give everything else up. She caused me to appreciate the journey from personal pain to universal illumination. Even at the end the beginning is present. We hold its hand as we walk into the light.

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy

Jill Joy - Selfie @ Nicki de Saint Phalle's Tarot Garden in Tuscany, Italy